No Excuses. Just Write.

Having Fun Writing For Publication

This round of the Search Term Challenge received a fabulous 14 entries. That's 14 different interpretations of the following search terms in a range of genre and writing styles.

  • bellowing bastard brothers
  • dirty house
  • extra sex
  • give one to me
  • sideshow fables
  • stillborn
  • writes longhand
It just goes to show that it's not the seed of an idea that has value but what a writer brings to the story, their interpretation and application of context to the seed that decides what it grows into.

The first 5 stories are up now for your reading pleasure and the other 9 will be posted over the next week and a half. Once all the stories are up the voting will open and you can vote for your favourite story.

Happy reading!

Eek!! This is too much of a contrast from the bright Spring that should be gracing your web browser.

Ray Creations, the site that my Spring theme originated from, is down at the moment and the theme is referencing the images on that site.

I hope to gets things back to the normal asap!

A new contest for unpublished New Zealand writers of fiction, short stories, poetry and non-fiction is being administered by the NZ Society of Authors. Submissions to the NZSA/Pindar Publishing Prize close March 30th to have a chance of professional publication.

Sponsored by Pindar NZ, The New Zealand Herald, Whitcoulls and AstraPrint, this unique new award is for an unpublished manuscript which will be taken through to a published form and offered for sale nationwide.

This is a great opportunity for unpublished writers but it's always important to read the Terms & Conditions thoroughly not least of all so you'll get your submission correct. With any competition like this there are time constraints and the conditions reflect this. I thought there were a few important things to highlight from the T&Cs.
  1. The winner will be announced on June 15th and the book with launch in August. That's only just two months for the manuscript to be professionally edited, designed, printed and distributed.
  2. "If in the opinion of the judging panel no entry is worthy of the award it will not be given."
  3. "A fair contract, based on industry standards, will be offered to the winning author. If for any reason the recipient is not prepared to accept the contract, the award will be given to the second shortlisted manuscript."
  4. "The published book will only be available in Whitcoulls branches."

All that considered I'm looking forward to participating in the online voting after the shortlist is announced on 30 April.


Edit: The T&Cs state that the competition is open to any unpublished manuscript, not unpublished author as I implied.

My short story for the ErgoFiction Challenge is all wrapped up at 1,836 words. I still need a title but I like the ending that I added on tonight. It may still be a little more obscure than I was planning but I like it and I hope you will too.

Whenever I write a short story I learn something new. I think it's because a short story is such a condensed form that each sentence carries so much more weight than in a novel.

I spent a silly amount of time figuring out how to write two sentences of description. It made sense for one thing to be described before another. But I wanted the focus to shift from the latter to the former. Because of the order of objects in the sentence it did just the opposite.

Example 1: The stream sprouted from the mountainside colliding with another and rolling in a torrent into the harbour.

Example 2: The harbour filled and flowed from the river that fed it, a huge body of water that began as a trickle from a mountain high above.

In the first example you're left with the image of the harbour and the expectation is that the story will continue from that point. You've moved the reader away from the mountain. If the next sentence then showing something on the side of the mountain the direction is jumpy. In the second example the reader is left with the image of the mountain because the description has moved away from the harbour. It is essentially showing the reader the same thing but each is taking them in a different direction.

There's been a little short story competition being held every couple months that people like Cassie and Merrilee have participated in. Round Three of the Search Term Challenge is being hosted this month by ErgoFiction. I'd heard about it during rounds one and two and about Merrilee getting comfortable in the top spot.

This morning I happened across her Do you feel LUCKY? post and looked into the challenge further. The challenge is to write a short story of 1,000 to 2,500 words that includes at least four of the following search terms:

  • bellowing bastard brothers
  • dirty house
  • extra sex
  • give one to me
  • sideshow fables
  • stillborn
  • writes longhand
I have been revising for so long that I have a little phobia growing that I won't be able to write through a first draft again. The longer it takes me to revise the longer it will be until I even start writing another novel and slowly the fear grows. So to start breaking out of that pattern I took up the Search Term Challenge, came up with an idea from those crazy offerings, drafted a scene by scene outline and wrote the first draft of 1,583 words.

Submissions close on February 20th so I have a few days to revise and polish the story. All the stories then get posted anonymously for readers to vote for their favourite. So although I want to share the details of how I pulled a story together out of these terms in about an hour and how it changed between outline and draft I must wait until the results of the challenge are out.

And the question remains... will Merrilee be dethroned?

March is National Novel Editing Month, a writing event that I've been involved in organising since 2007. With my disjointed start to the writing year I haven't been able to throw myself fully into preparing for the editing frenzy. That is until today. I saw some fabulous participant icons from our new graphic designer and got the first responses from authors we contacted for articles on revision. I was thrilled to have writers and bloggers like Lynn Viehl, Sasha White and Lani Diane Rich offer to write articles to educate and encourage all our participants.

This excitement was infectious and I found myself revising Scene 29 of Family Trust. It's the first revision I've done in almost four weeks. I like to think that writing my blog post yesterday about falling in love with your story got me in the right frame of mind. I haven't blogged about any writing goals for February yet but in my Think Sideways work group I admitted to wanting to revise 10 scenes this month. I'd like to regain the momentum I've had and I'm even entertaining the thought of participating in NaNoEdMo with aim of finishing the revision.

In the meantime check out Alisa Libby's guest post at Through The Tollbooth on a revision technique that follows on well from yesterday's post.

Writing and revising a novel can be a great love affair. There's the wonderful first meeting when everything is full of sparks and shine and promise. There are the side long glances and the fear of being hurt and being taken advantage of. Will you put all this time and effort into a relationship that will ultimately fail? Will you lose a part of yourself in the process? There's the honeymoon period, the first fight, the first time you make up. There's the "break" and reassessing the relationship and... what will you decide?

When I first started revising Family Trust I decided that this was going to be the novel that I finished. Really finished. The one that I got to a submission standard. The point was to go through the process of a complete revision, of beta readers, of polishing and to get out the other side alive. The point was to spend the time, to grow from the experience and to learn that I could do it. I haven't quite done it yet but along the way I've already learned how important it is to keep falling in love with your story over and over again. To keep rediscovering that sparkly, shiny feeling that made you fall in love in the first place. Through the first fight, the arguments and several "breaks" I've stuck with it.

Recalling The Spark
Every story starts with a spark. It's that first flash of inspiration. It could be a concept, a character, some dialogue, an object, a setting, a what if. It could be anything but that anything is pure gold. That spark is what drew you to the story, what motivated you to begin writing and it's so important that you have to keep it in your story. Ideas evolve but you have to keep that spark glowing. It might evolve into a character's bad habit or it might be the only line of dialogue that survives to the second draft but that spark will be there to keep relighting the story fire.

Finding The Guiding Light
When you have pages and pages of manuscript bloodied with red pen it's important to be able to gain perspective. You need a guiding light, a torch to show you the way, to give you focus and hope. That torch is The Sentence, a summary of the key ingredients of your story in one concise sentence full of descriptive words that should make you feel that writing buzz. I learnt the Sentence from Think Sideways and relearnt it in How To Revise Your Novel and I'm finding new uses for it all the time, this being the latest. The Sentence must have a protagonist, antagonist, setting, conflict and twist. The protagonist and antagonist should be described with an adjective and a noun. Setting is self explanatory and should only be specifically described if it is an integral part of the story and isn't otherwise implied by your description of the other elements. The conflict is what's stopping the protagonist from reaching their goal and the twist is the thing that changes in the story, usually to allow the protagonist to reach their goal.

Remember The Good Times
This is most important after one of those "breaks". The story you remember having written is not usually the same as the story you have actually written. Your memories are tainted by the bad times which always seem to stick in our minds more easily than the good times. The important thing here is to give your story another chance. Honour the time that you've had together and put some time towards trying to rekindle this broken romance. Sit down with your story as you would a good book (after reminding yourself of the spark and with your trusty torch in hand) and read. If you've stayed true to the story you wanted to tell, the story you were inspired and excited to tell then it will show. The words you have written will begin to glow and soon things will be on fire again. And if not... you might be able to see the problems you need to fix or it might have given you the perspective to see it's just not going to work out and you probably won't stay friends.

About Me

I am a writer. I write to challenge myself, to test myself and push myself beyond what I think I can accomplish. I write to learn about people, about places, about culture, about life and about myself. I write to entertain, to create, to teach and to inspire.

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